Music Video director, Painter. Midi music maker GoldmixJay from South Korea. check it.
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Ryerson profs develop Emoti-Chair: Allows deaf to feel vibrations of music and sound
Imagine never being able to hear music clearly your entire life. Now imagine changing all that by simply sitting in a chair. The Emoti-Chair is a cross-modal, audio-tactile display chair that allows deaf or hard of hearing people to feel the vibrations of music and sound. Created by two Ryerson professors and their associates, the Emoti-Chair is currently on display until Jan. 15, 2009 at the Ontario Science Centre as part of the special exhibition, On Thin Ice: Youth Respond to International Polar Year.
Redbull presents: Coup Digital
Come out Wednesday March 25th to Local on the Danforth
as RedBull and Underground Republik present:
Coup Digital [live dj and visual set].
Radio Arazel
Radio Arazel is now officially launched.
This is a project I’ve been meaning to start for a while, but i was actually waiting for the first day of the Persian New Year. That being Today…. I’m happy to presnt to you;
Wyld File Theme Song
Wyld File “Theme Song” from wyldfile on Vimeo.
Not too heavy, Not too tall
Very little need be said ’bout this. The great Bobby Birdman had his way with Young MC’s “Fastest Rhyme”, transforming into a glorious sizzleanin’ remix he calls “Slowest Rhyme”, available on Diplo’s “Bust A Move” RMXX EP. Then, goodish graces, Bobby and his dude E*Rock hooked up the following vid!
Ableton Live performance, perfected.
The APC40 is the world’s finest Ableton Live control surface. Ableton and Akai Professional worked in a joint partnership to make the APC40 the perfect Ableton Live control surface. Whether you are an electronic-music performance artist and Live is your canvass, a DJ using Live to mix tracks, or a traditional musician using Live on stage or in the studio, the APC40 is designed for intuitive, powerful control.
Guns Of Brixton
ok.. this is by far one of my favorite ALL TIME bands ever. as a teenager or even before reaching the age of 16, growing up in the 80’s, I was involved with an underground Mod / RudeBoy subculture. Not surprisingly, some of my belief and most of my influences are based on this time-frame. A very good friend, Jason Papadimos turned me onto The Clash and they have stayed with me since.
